The construction of the garments is in some ways very simple, as in most cases, no cutting is required. Bee’s colour palettes were chosen by placing a selection of coloured yarns together in a bowl that is placed somewhere that she would see it often and subsequently add and remove colours over a matter of days until she was happy with the combination. They included the use of both cheap, synthetic yarns as well as more expensive animal-based yarns together to produce interesting textures, both warp and weft based experimental techniques, the use of alternating colours to produce patterns and the use of different weight yarns in the warp and weft. The techniques used to produce the woven fabrics for the garments being modelled by Guild members were explained. Bee explained that the concept of weaving is to produce fabric and if enough air is left in the weaving then the finished fabric will have good drape, which is ideal for making clothes. We were encouraged not to be restricted by the size of our loom as one of Bee’s garments was produced by stitching three sections of weaving together which were each produced on an ‘Ashford Samplit’ loom. They can also be used to create double width and double layer fabrics too. Bee’s preference for the rigid heddle loom is based on the fact that it is easy to insert chunky feature yarns and also the soft edges that they produce. Ashford challenged this by producing the ‘knitters’ loom, which was a folding rigid heddle loom for added convenience. It was once assumed that in order to weave, that specific yarns should be used rather than making use of either commercial knitting yarns or indeed, hand-spun. Bee explained that although weaving on a Saori loom is fast, that to warp one up takes upward of five hours and requires assistance, so back to the rigid heddle loom she went. Here began her first experiments with clasped weft weaving, inlay and travelling inlay, all of which are weft-based techniques. (Ideally arrive 20 minutes before the beginning of the class for the preparation)Īlthough the language of instruction will be French by default, translation is possible.Ī minimum of 5 registrations and a maximum of 8 people are expected for the course to run smoothly.Bee commenced her talk by asking all guild members to wear one of her hand-made garments which showed a timeline of her weaving progress and the various techniques learned along the way.īee’s weaving journey began on a rigid heddle loom, just mastering the basics before she purchased a 2-shaft Saori loom. The class will take place from 9 to 11 a.m. The spinning class will take place at Tisse et File, 571 Boul. Today, it is a great pleasure for me to share with you the fruit of my inspiration. My love and passion for raw fiber, dyeing, wool and textiles is in my DNA. I have always been animated by music, dance and all the cultural richness of this world. SThe story of my roots, native of Bolivia. Your fiber (in case you have time to spin all the yarn in the kit and still have time to practice.2 jumbo bobbins with the pinning device.braid and yarn for decoration during the twisting To be paid on site: $25 starter kit to be paid to Marie-Pierre. experience spinning with the large bobbins on your spinning wheel.experience spinning on a spinning wheel. Incorporate different materials into the yarn This workshop will introduce you to spinning an artistic yarn.īe sure to read all the information below.Īt the end of this workshop, you will be able to Rouet e-spinner Super Jumbo et accessoires Métier Harp Forte et ses accessoires - Kromski
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